Menu
Carole Seborovski

Born San Diego, CA
Lives and works in New York City

Education

1987
M.F.A., Hunter College, New York, NY

1982-84
New York Studio School

1982
 B.F.A., California College of the Arts, Oakland, CA

Solo Exhibitions

2016
Physical Intuition, Nohra Haime Gallery, New York, NY

2014
In-Formation, Thomas Hunter Project Room, New York, NY
Works on Paper, Nohra Haime Gallery, New York, NY

2004
Works on Paper and Mixed Media, Galerie Karsten Greve, Cologne, Germany

2003
Carole Seborovski, Galerie Karsten Greve, Paris, France

2002
Mixed Media, Haines Gallery, San Francisco, CA

2001
Carole Seborovski, Galleria Karsten Greve, Milan, Italy
Recent Works, Miller Block Gallery, Boston, MA

2000
Works on Paper, Haines Gallery, San Francisco, CA
Recent Works, Mitchell-Innes & Nash Gallery, New York, NY

1998
Photographs and Mixed Media, John Weber Gallery, New York, NY

1997
Recent Works, Galleria Karsten Greve, Milan, Italy
Carole Seborovski, Galerie Karsten Greve,Cologne, Germany
Recent Works, Locks Gallery, Philadelphia, PA

1996
Carole Seborovski, Angles Gallery, Santa Monica, CA

1995
Carole Seborovski, John Weber Gallery, New York, NY
Carole Seborovski, Gallery Karsten Greve, Milan, Italy

1994
Carole Seborovski, John Berggruen Gallery, San Francisco, CA
Recent Works, Galerie Karsten Greve, Paris, France

1993
Carole Seborovski, John Weber Gallery, New York, NY
Carole Seborovski, Angles Gallery, Santa Monica, CA
Carole Seborovski, Betsy Senior Contemporary Prints, New York, NY

1992
Carole Seborovski, Angles Gallery, Santa Monica, CA
Carole Seborovski, Galerie Karsten Greve, Cologne, Germany

1991
New Work, Angles Gallery, Santa Monica, CA
Carole Seborovski, Galerie Karsten Greve, Paris, France

1989
Carole Seborovski, Lorence-Monk Gallery, New York, NY

1988
Carole Seborovski, Lorence-Monk Gallery, New York, NY

1986
Carole Seborovski, Hunter College Gallery, New York, NY
Carole Seborovski, Damon Brandt Gallery, New York, NY

Group Exhibitions

2018
Invitational LREI Art Auction, Pace Gallery, New York, NY

2017 
New Place, New Space, Nohra Haime Gallery, New York, NY                      
Holding it Together, Teri Hackett Studio, Brooklyn, NY
Feminist / Feminine, Nohra Haime Gallery, NY

2016
Invitational Art Auction, LREI, 555 West 25th,  New York, NY
Pulse Art Fair, Nohra Haime Gallery, New York, NY

2015
Group Show, Nohra Haime Gallery, New York City

2014
Triennial, Museum of Contemporary Ceramics, Santo Domingo, Dominican Republic
6x6, JVS Project Space, NYC
Pulse Miami, Nohra Haime Gallery, NYC
Paper, Nohra Haime Gallery, NYC
Invitational LREI Art Auction, Openhouse Mulberry, NYC.

2013
Abstractions on Paper, Crystal Bridges Museum of American Art, Bentonville, Arkansas
Out of their Elements: Jill Bonovitz, Toni Ross, Carole Seborovski, Ricco Maresca Gallery, NYC.
Art Miami, Actions and Interventions, Nohra Haime Gallery, NYC.
The Armory Show at the Piers, Ricco Maresca Gallery, NYC.

2012
LREI Art Auction, Saatchi and Saatchi, New York City

2011
Art Protects, Yvon Lambert Gallery, Paris, France

2010
Tribute to Giuseppe Panza di Biumo, Cantonale d’Arte Museum, Lugano, Switzerland
The Artists of Zyzzyva, Mina Dresden Gallery, San Francisco, CA
New York/New Drawings, 1946-2007, Museo de Arte Contemporaneo Esteban Vicente, Segovia, Spain.

2009
At 21: Gifts and Promised Gifts in Honor of The Contemporary Museum’s 20th Anniversary, The Contemporary Museum, Honolulu, HI
Art Basel Miami Beach, Gallery Karsten Greve
On Paper, Galerie Karsten Greve, Paris
Intangible Moods, Nohra Haime Gallery, New York City

2008
Photographic Works, Benefit Exhibition, Cohan and Leslie Gallery, NYC
Fundamental Abstraction II, Haines Gallery,San Francisco, CA
Group Show 2008:Joseph Albers,Louise Bourgeois, James Brown, John Chamberlain, Gotthard Graubner, Paco Knoller, Carole Seborovski, Pierre Soulages, Cy Twombly, Galerie Karsten Greve, Paris, France.

2007
De-Natured: Works from the Anderson Collection,”The San Jose Museum of Art, San Jose, CA
Art Protects, Yvon Lambert Gallery, Paris, France
Art Basel Miami Beach, Gallery Karsten Greve
Experimentation, Nohra Haime Gallery, New York City

2006
Group Show, Galerie Karsten Greve, St. Moritz, Switzerland

2005
Salon, Nohra Haime Gallery, New York City
The Mark of Minimalism, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire
LREI Art Auction, I-20 Gallery, New York, NY
Faculty Show, Hunter College, Times Square Gallery, NYC

2003
Under Glass- Works on Paper 1960 to 2000, Anthony Grant, Inc. NYC
Drawings of Choice, from a New York Collection, Cincinnati Art Museum, OH
Works on Paper, Haines Gallery, San Francisco, CA
Tasty Buds, The Work Space, New York City
Drawings of Choice, from a New York Collection, Krannert Art Museum,University of Illinois at Urbana-Champaign, Ill.

2002
New York Studio School 2002 Alumni Exhibition, Charles Cowles Gallery, NYC
Faculty Small Works Show,The Bertha And Karl Leubsdorf Art Gallery, Hunter College, NYC
Dreamy, Margaret Thatcher Projects, NYC
The Synthetic Century- Collage from Cubism to Postmodernism,Selections from the Collection,Yale University Art Gallery, New Haven, CT
From Stone to Foam, Nohra Haime Gallery, NYC

2001
I Love New York Arts Benefit, Mitchell-Innes & Nash Gallery, New York City
Panza di Biumo Gift Show, Studio la Citta, Verona, Italy
Minimalism, Jim Kempner Fine Arts, NYC

2000
Benefit for the Foundation for Contemporary Performance Arts, Mathew “Marks Gallery, NYC
Celebrating Modern Art: The Anderson Collection, San Francisco Museum of Modern Art, CA
Recent American Drawings from a New York Private Collection, Block Museum, Chicago, The Contemporary Museum, Honolulu
Consonanze, Museo Cantonale d’Arte, Lugano, Switzerland
Collecting Drawings, Not Artists: Gifts from the Collection of Sarah-Ann and Werner H.Kramarsky, Fogg Art Museum, Cambidge, MASS
Recent Works, Jim Kempner Fine Art, New York, NY
End Papers: Drawings 1890-1900 and 1990-2000, Neuberger Museum of Art,Purchase, NY
Drawing is another kind of Language: Recent American Drawings from a New York Private Collection, Lyman Allyn Art Museum, Connecticut College, CT

1999
Works on Paper, Mitchell-Innes and Nash, New York, NY
Into the New Century, Nohra Haime Gallery, New York, NY
Often, Margaret Thatcher Projects, New York, NY
Neuere Amerikanische Zeichnungen aus einer New Yorker Privatsammlung, Academie der Kunste, Berlin, Germany,The Parish Art Museum, New York

1998
Neuere Amerikanische Zeichnungen aus einer New Yorker Privatsammlung, Kunst-Museum Ahlen, Germany and Kunstmuseum Winterhur Switzerland
Bang on a Can Benefit, GAGA, New York, NY

1997
Drawing is another kind of Language: Recent American Drawings from a New York Private Collection, Arthur M. Sackler Museum, Harvard University Art Museums, Cambridge, MA
Colleccio’ Panza di Biumo, The Exhibition in Sa Llonja, Palma de Mallorca,Baleares, Spain
The Panza di Biumo Donation To the Museo Cantonale d’Arte, Lugano,Switzerland
Studio Faculty Selects, Vassar College, Poughkeepsie, NY
Group Show, Dutchess Community College, NY

1996
25th Anniversary: 25 Younger Artists, John Weber Gallery, NY
Four Collectors: Nineteenth and Twentieth-Century Drawings and works on Paper, Century Club, New York, NY
One Thousand Nine Hundred and Ninety-Seven Postcards, Gallery 7 Hong Kong
The Essential Object, curated by Signe Mayfield, Palo Alto Art Center, CA
Group Show, Dutchess Community College, NY
Scratch, Thread Waxing Space, New York, NY
Matters of the Heart, Haines Gallery, San Francisco,CA

1995
Prints to Benefit the Foundation for Contemporary Arts, Brooke Alexander, New York, NY
The Faux Show, Altered Stages, New York, NY
Seductive Matter, Rice University Art Gallery, Houston, TX
Object Lessons-Feminine Dialogues with the Surreal, Huntington Gallery, Massachusetts College of Art, Boston, MA
Wax, Nohra Haime Gallery, New York, NY
Significant Artists’ Works on Paper, Haines Gallery, San Francisco,CA

1994
Paper Work, John Weber Gallery, New York, NY
Contemporary Abstract American Prints, Addison Gallery, Andover, MA

1993
Return to the Cadvre Exquis, The Drawing Center,New York NY
New Sculpture, Soft Surfaces, Transamerica Pyramid Lobby San Francisco,CA
On Paper, Barbara Mathes Gallery, New York, NY
Intuitive Perception, Nohra Haime, New York, NY
Drawings, Anthony Ralph Gallery at Earl McGrath, Los Angeles, CA

1992
Summer Becomes Eclectic, Mars Gallery, Tokyo, Japan
Cultural Fabrication, John Good Gallery, New York, NY
Drawn in the Nineties, The Katonah Museum of Art, NY

1991
Small works on Paper, John Berggruen Gallery,San Francisco,CA
Geometric Perspectives, Pfizer, Inc
Toward a New Museum: Recent Acquisitions in Painting and Sculpture, 1985-1991, San Francisco Museum of Art, CA
Amerikanische Druckgraphik, Galerie Cora Holzl, Dusseldorf, Germany

1990
Lineas de Vision:Dibujos de Artistas Contemporaneas, Museo de Arte Contemporano de Caracas, Venezuela
Black and White Prints, Lorence-Monk, New York, NY
Drawings, Lorence-Monk, New York, NY
Minimalism and Post Minimalism, Hood Museum,Dartmouth College, NH
Unique Works on Paper, Memorial Art Gallery, University of Rochester, NY

1989
Fundamental Abstraction, Haines Gallery, San Francisco, CA
Lines of Vision: Drawings by Contemporary Women, Hillwood Art Gallery,Brookville, NY
Surface and Intent: Joseph Amar, Ford Beckman, Carole Seborovski, Anderson Gallery,Virginia Commonwealth University Richmond, VA
Garner Tullis Workshop Monotypes, Persons and Lindell Gallery, Helsinki, Finland
Drawings, Lorence-Monk Gallery, New York, NY
Paintings and Works on Paper, Lorence-Monk Gallery, NY,NY
Works on Paper-A Changing Exhibition, Angles Gallery Santa Monica, CA
Summer Group Exhibition, Lorence-Monk Gallery, New York,NY

1988
Formal, Dart Gallery,Chicago, IL
Works on Paper, Selections from The Garner Tullis Workshop, Pamela Auchincloss Gallery, NYC
Nancy Haynes, Donald Judd, Carole Seborovski, John Good Gallery, NYC
Group Exhibition, Lorence-Monk Gallery, New York, NY
NonrePRESENTation, Security Pacific Corporation Gallery, Santa Monica, CA
In-Side, Barbara Krakow Gallery, Boston, MA
Drawings, Reynolds/Minor Gallery, Richmond, VA
The New Generation, Elaine Benson Gallery, Bridgehampton, NY

1987
Drawings from the Eighties, Carnegie Mellon University Art Gallery, Pittsburgh, PA
Painting, Lorence-Monk Gallery, New York, NY
Recent Acquisitions: Prints and Portfolios, The Brooklyn Museum, NY
Paintings and Sculpture by Candidates for Art Awards, American Academy and Institute for the Arts and Letters
Works by Gallery Artists, Damon Brandt Gallery, New York, NY
Melancholy, Anne Plumb Gallery, New York, NY
Drawings, Barbara Krakow Gallery, Boston, MA

1986
Art on Paper, Weatherspoon Gallery, Greensboro, NC
Etchings, Damon Brandt Gallery, New York, NY
American Biennial of Graphic Arts, Museo de Arte Moderno, La Tertuila, Cali, Colombia
Abstraction: New Points of View, Nohra Haime Gallery, NYC
Works by Gallery Artists, Damon Brandt Gallery, New York, NY

1985
Fall Invitational, Damon Brandt Gallery, New York, NY
Unaffiliated Artists’ Show, Hillwood Art Gallery, C.W. Post Center, Long Island
University, NY

1985
Tom Bills, Carole Seborovski, Manhhattan Art, NY
Pastels, Nohra Haime, New York, NY

1984
Selected Drawings by Eleven Artists, Willard Gallery, NYC


Public Collections

Addison Gallery, Phillips Academy, Andover, MA
Arkansas Arts Center
The Baltimore Museum, Maryland
The Brooklyn Museum, Brooklyn, NY
Carnegie Museum of Art, Pittsburgh, PA
Chase Manhattan Bank, New York
Cleveland Center for Contemporary Art, Ohio
Dallas Museum of Art
Fogg Art Museum, Harvard University, Cambridge,MA
The Contemporary Museum, Honolulu, HI
Hood Museum of Art, Dartmouth College, Hanover,NH
Merril Lynch Inc., New York
Metropolitan Museum of Art, New York
Museo Cantonale d’Arte, Lugano, Switzerland
Museum of Modern Art, New York
National Gallery of Art, Washington D.C.
New York Public Library, Wallach Division of Art
Princeton University Art Museum
San Diego Museum of Art
San Francisco Museum of Modern Art, California
Tel Aviv Museum, Israel
The Panza Collection, Italy
The Refco Collection, Chicago
J. Walter Thompson, New York
Wadsworth Atheneum, Connecticut
Weatherspoon Art Gallery, Greensboro,N.C.
Paine Webber, New York
Whitney Museum of Art, New York
Yale University Art Gallery

Grants, Residencies, Awards

2017           
Hunter College, Ceramics, Artist in Residence

2011,12,14
Hunter College, Ceramics, Artist in Residence

2005, 07
Hunter College, Ceramics, Artist in Residence

1999
Art Development Committee Grant

1997
Art Development Committee Grant

1991
National Endowment for the Arts Grant

1990
Agnes Bourne Fellowship in Visual Arts
Djerassi Foundation, Artist in Residence

1989
American Academy of Arts and Letters, Hassam, Speicher, Betts, and Symons Purchase Fund
Villa Montalvo, Saratoga, CA , Artist in Residence

1986
Pollock-Krasner Foundation Grant

Teaching, Lectures, Committees

2017-18          
Guest lecturer MFA “Special Casting Projects,”  and “Sculptural Methods,” Hunter College, New York City.

2015
Guest lecturer, MFA reviews, Brooklyn College, NY.

2006-2015
Guest lecturer MFA “Special Casting Projects”  and "Sculptural Methods" Hunter College, New York City.

2014
Guest lecturer and co-teaching, MFA seminar, Hunter College, New York City.

1995-2014
Art Studio Internships, working with students from:
Vassar College, Hunter College, Dutches Community College, Art Portfolio Development School-Oogie Art, LaGuardia Community College, NYU.

2013
Guest lecturer, Oogie Art, Art Portfolio Development School, New York City.

2005-2013
Guest lecturer, undergraduate level “Beginning Ceramics” and “Advanced Ceramics,” Hunter College, New York City.

2006-2011
Designed and taught the undergraduate elective course, “Unconventional Approaches to Drawing,” (course remains a permanent part of the curriculum) Hunter College, New York City.

2000-2012
Adjunct Assistant Professor, undergraduate courses: “Beginning Painting,” “Advanced Painting,” “Beginning Drawing,” and “Advanced Drawing.” Hunter College, New York City.

Bibliograpy

2016  
Yau, John. "Erotic and Abstract." Hyperallergic.com 3 April 2016, illus.
Bergman, Jeff. "151-Carole Seborovski.” AtlasArtNews.com 4 April 2016, illus.
Meehan, Meagan. “Artist Spotlight: Carole Seborovski.”  Examiner.com 17 Mar.2016, illus.
“Carole Seborovski: Physical Intuition."  Exh. cat. New York: Nohra Haime Gallery, 2016: illus.
Furman, Anna. "Carole Seborovski's Mixed-Media Collages Explore Abstract Space." Artsy.net 3 Mar. 2016, illus.           

2015
The Air: Artist in Residence. New York: Hunter College 2015: 34-35, illus.
Thomas Hunter Projects–Exhibited Artists. exh. cat. New York: Hunter College 2015: 78-79, illus.

2013
Kerr, Merrily. “Don’t Miss: Carole Seborovski-Out of Their Elements at Ricco Maresca Gallery.” New York Art Tours. Web 8 Nov. 2013, illus.
Selz, Gabriel. “Creating Art Out of Their Element.” Hamptons Art Hub
31 Oct. 2013, illus.
“Armory Modern Highlights.” Blouin Artinfo Armory Show Special Daily Edition 9-10 Mar. 2013: 10, illus.
Newell Peacock, Leslie. “Filling a Gap at Crystal Bridges.” Arkansas Times  16 Jan. 2013.

2010 
Collischan, Judy. Made in the U.S.A. e-text and iUniverse.com Web Nov. 2010: 274
Lanzanova,Elena. “A Tribute to the First Lugano Giuseppe Panza di Biumo.” Arcadja Art Magazine 17 Aug. 2010.
Hamlin, Louise and Sacca, Michael. Ink Across Time: The Living Tradition of Printmaking. Films Media Group, Dartmouth College. Film. 2010.

2009
“Kramarsky Art Collection on View at Museo de Arte Contemporaneo Esteban Vicente.” Art Knowelege News.  Web. 2009.
“Moody With a Chance of Abstraction.” Chelsea Clinton News 1 Oct. 2009, illus.
“Group Show, Galerie Karsten Greve.” Art Slant, Paris, Feb. 2009.
“On Paper:Les Arts Visuels.” Articite.com. Web. Jan.2009
“Collection Kramarsky, the Roll of Paper, the Energy Transcript.” Hoy.Es Web 2 Mar. 2009.

2008
“Women and Leadership.” The McKinsey Quarterly v4 (2008): 34, illus.
Derrick R. Cartwright, et al. 560 Broadway: A New York Drawing Collection at Work, 1991-2006. Ed. Eshoo, Amy. New Haven: Yale University Press and Fifth Floor Foundation, 2008: 130 illus.

2007 
Green, Heather. De-Natured, Carole Seborovski. podcast, Web. San Jose Museum of Art, 13 Oct. 2007.
Panza,Giuseppe. Memories of a Collector. Italy: Abbeville Press Publishers, 2007: 270-271
 
2005 
Galloway, Anne.“Minimalism at the Hood.” Rutland Herald Times Argus,
 8 May 2005.
Lind, Margaret. The Mark of Minimalism. exh. cat. Hanover, NH: Hood
Museum of Art, Dartmouth College, 2005: 5 illus.

2004
Kisters, Jurgen. “Moderne Fetische.” Kolner Stadt-Anzeiger, 19 Feb. 2004.
2003 
Hurwitz, Laurie. “Carole Seborovski, Karsten Greve, Paris.” Art News, June 2003:128 illus.
Mine, Molly. “Carole Seborovski.”Paris Capitale, 10 Feb.-10 Mar. 2003:
127 illus.
Mazingarbe, Daniele. “Carole Seborovski.” Le Figaro, Madame Figaro
8 Feb. 2003: 46 illus.

2002
Hodermarsky, Elizabeth and Reynolds, Jock. The Synthetic Century: Collage from Cubism to Postmodernism, Selections
from the Collection exh. cat. New Haven: Yale University Art Gallery, 2002.
Wolfskill, Phoebe. Drawings of Choice, from a New York Collection. exh. cat. Champaign, Illinois: Krannert Art Museum, University of Illinois at Urbana and Arkansas Art Center, Little Rock Arkansas, 2002: 142-145 illus.

2001 
McQuaid, Cate. “Spirituality and Desire Embodied.” The Boston Globe, 17 May 2001.
 
2000
Koplos, Janet. “Carole Seborovski at Mitchell-Innes & Nash.” Art in America, Oct. 2000: 164 illus.
Benezra, Neal. Renewing Modernism: Celebrating Modern Art, The Anderson Collection. exh. cat. Berkeley: University of California Press and San Franciso Museum of Modern Art, 2000: 193, 386 illus. 225.
Ebony, David. “David Ebony’s Top Ten.” Artnet. Web. Apr. 2000, illus.
Naves, Mario. ”Currently Hanging.” The New York Observer  3 Apr. 2000:16 illus. Karlins, N.F. “Reviews: Drawing Notebooks.” Artnet. Web. Apr. 2000, illus.
Collischan, udy. End Papers: 1890-1900 and 1990-2000. exh. cat. Purchase, NY: Neuberger Museum of Art, State University of New York, 2000: 29 illus.
“Often/Margaret Thatcher Projects.” New York Contemporary Art Report v2 Issue X (Dec.1999-Jan. 2000): 125

1999 
Landi, Ann. “Drawing Is Another Kind of Language.” ARTnews Dec. 1999:172
Coblence, Fracoise. Dessiner Est Un Autre Langage. exh. cat. Amiens, France: Musee de Picardie, 1999 illus.
Braff, Phyllis. “Drawing Is Another Kind of Language.” The New York Times 
31 Oct. 1999: 21

1998
“Carole Seborovski/ John Weber Gallery.” New York Contemporary Art Report Oct. 1998: 88-89, illus.
Levin, Kim. “Voice Choices.” The Village Voice 29 Sept.1998:90
Weidle, Barbara. “Magazine Reviews:Letter From Berlin.” Artnet. Web. 1998
Archacki,”Lorraine. “Nature, Girl Stuff, and the Surreal- A Conversation with Carole Seborovski.” The Country and Abroad. Sept.1998: 21-24 illus.
Temin, Christine. “Drawing Their Own Conclusions” The Boston Globe
 21 Jan.1998: F1-2
Sherman,Mary. “Exhibit Redefines Nature of Drawing.” Boston Sunday Herald, 11 Jan.1998: 46
 Hill,Shawn. “When Minimalism is not a Dirty Word.”Cambridge Chronical, 
15-21 Jan.1998: 11-12

1997 
Lee, Pamela. “Drawing is Another Kind of Language: Recent American Drawings from a New York Private Collection. exh. cat. Cambridge: Harvard University Art Museums,1997: 160-63 illus.
Panza, Giuseppe. The Exhibition in Sa Llonja:Colleccio Panzadi Biumo. exh. cat. Palma de Mallorca, Baleares Spain:1997 pp. 94-101, 129-131 illus., 
Disch, Maddalena and Franciolli, Marco. The Panza di Biumo Donation to the Museo Cantonale d’Arte. exh. cat. Lugano, Switzerland: Museo Cantonale d’Arte, 1997: 156-161, 252-255 illus.
Archacki,Lorraine. Studio Faculty Selects.” The Country and Abroad,
1 Oct 1997: 21-22, illus.
Rice, Robin. “Critic’s Pick: Phoebe Adams and Carole Seborovski.”
 Philadelphia City Paper 31 Jan. -6 Feb. 1997. illus.
 Mellrod, George. “Openings, Altered Egos.” Art & Antiques Feb. 1997: 30 illus.
 
1996 
Chin, Mel and Salpeter, Ellen.  Scratch. exh. cat. New York: Thread Waxing
 Space, 1996, illus.
Frank,Peter. “Ross Rudel, Carole Seborovski at Angles.” ARTnews, Apr. 1996:141.
Pagel,David. “Seborovski’s Work Has Obsessive Touch.” Los Angeles Times  2 Feb.1996: 21 illus.

1995 
Beudert, Monique, Wells, Jennifer, Flam, Jack, Marron, Donnald B. The Paine Webber Art Collection. exh. cat. New York: Rizzoli 1995: 279.
Hansen, Trudy. Printmaking in America, Collaborative Prints and Presses,
1960-1990.
New York: Harry N. Abrams with Northwestern
 University, 1995: 30-33, 58 illus.
Ramljak, Suzanne. “The Art of Seduction.” Sculpture Magazine. 1995
Potter, Tina.“Carole Seborovski/ John Weber Gallery.” Scanning New York Art, Video Magazine May 1995. index selection 16, Vol. 1 issue 4. VHS
Stapen, Nancy. “Feminine Dialogues: A Tempest From Oppenheim’s Teacup.” Boston Sunday Globe 29 Jan. 1995.
Ramljak,Suzanne,Hapgood, Susan, Wilson Lloyd, Ann
Object Lessons: Feminine Dialogues with the Surreal. exh. cat. Massachusetts: Massachusetts College of Art, 1995. illus.

1994 
Kayser, Lucien. “Bougeois, Seborovski, Lienbacher.” d’Letzeburgerland  30 Sept.- 7 Oct. 1994. illus.

1992 
Wilson Lloyd, Ann. “Carole Seborovski at Karsten Greve.” Art in America Dec.1992: 124, illus.
Henle, Susanne. “Unbeschreiblich Weiblich.” Frankfurter Allegmeine Zeitung,  4 July 1992, illus.
“John Good Gallery(group exhibition).” The New Yorker 3 Aug.1992: 10
Von Lemke, Inge. “Wunderbarer Reiz, Die Americanerin Carole Seborovski bei Karsten Greve.” Kolner Stadt-Anzeiger, 19 June 1992.
Smith, Joshua P., Wainbird, Sean. Drawn in the Nineties. exh. cat. Katonah,
New York: Independent Curators International, Katonah Museum of Art, Fine Arts Gallery, Indiana University, Bloomington, Illingworth Kerr Art Gallery, Alberta College of Art, Calgary, Canada, and Huntsville Museum of Art, Huntsville, Alabama. 1992: 63, illus.
Johnson,Ken, Carole Seborovski. exh. cat. Paris and Koln: Galerie Karsten Greve, 1992 illus.
 Zyzzyva Vol.VIII Issue 1 Spring (1992) 72,76, illus.
 In a Word: Harper’s Magazine Dictionary of Words
that Don’t Exist but Ought to.” Ed. Hitt, Jack. 1992: 15, 76,77, 208.

1991 
Frank, Peter. “Art Picks of the Week: Constkructive Concepts, Jerald Brainin,
 Carole Seborovski.” LA Weekly 28 June - 4July. 1991.
Fabri, Albrect. Amerikanische Druckgaphik. exh. cat. Dusseldorf, Germany: Galerie Cora Holzl, 1991:28-33, illus.
Cremin, Ann “Mixed Media-Artists Tend Toward Textual Testimonies.”
 Paris Boulevard, Feb 1991: 30-31 illus.
Mitchell, Anette W. “Hood Museum of Art, Dartmouth College/ Hannover,
Three Exhibitions.”Art New England Feb. 1991.
Collischan Van Wagner, Judy, Leavitt, Thomas and Wilson, Judith. Lineas de Vision: Dibujos de Artistas Contemporaneas. exh. cat. Caracas, Venezuela: Museo de ArteContemporano de Caracas. 1991: 6 illus.
Wurmfeld, Sanford. The First Decade. exh. cat. New York: Hunter
College, 1991: 77, illus.

1990 
Anderson,Lisa. Minimalism and Post-Minimalism:Drawing Distinctions. exh.cat. Hanover: Hood Museum of Art, Darmouth College, 1990: 84 illus.
Heartney, Eleanor, Russi, Judith, Rorimer, Anne and Yood, James. The Refco Collection. exh. cat. Chicago: Refco Group, Ltd. 1990:164-165 illus.
Gilbert-Rolfe, Jeremy and Gardner, Colin. Nonrepresentation. exh. cat. Los Angeles: Security Pacific Corporation Gallery at the Plaza, 1990:16 illus.
 
1989 
CollischanVan Wagner, Judy, Leavitt, Thomas, and Wilson, Judith. Lines of Vision: Drawings by Contemporary Women. exh. cat. New York: NY Hudson Hills Press, Hillwood Art Museum,Long Island University, 1989: 122 illus.
Beck,Peter. “Surface and Intent at Anderson Gallery.” VCU Voice 1 Feb.1989:10-11
High,Steven. Surface and Intent. exh. cat. Anderson Gallery, Richmond: Virginia Common Wealth University, 1989:18-24.

1988 
Johnson, Ken. “Carole Seborovski at Lorence-Monk Gallery.” Art in America May 1988:188-89 illus.
Westfall, Stephen. Nancy Haynes, Donald Judd, Carole Seborovski. exh. cat. New York: John Good Gallery, 1988.
Braff, Phyllis. “New Generation Show Its Colors.” New York Times 22 May 1988.
 Bonetti,David. “Not So Plain Geometry-Walking the Aesthetic
Tightrope of Abstraction.” The Boston Phoenix 15 Apr.1988.
Masheck, Joseph and Kinz, Lanz. Formal. exh. cat. Chicago: Dart Gallery,1988.

1987 
Harrison, Helen A. “When Painters Turn to Prints.”The New York Times,
22 Mar. 1987.
 
1985 
Braff, Phyllis. “Unaffiliated, Intense and Stimulating,” The New York Times, 28 July 1985.
Collischan Van Wagner, Judy. Unaffiliated Artists III. exh. cat. New York:
 Hillwood Art Gallery, 1985, illus.

1984 Larson,
Kay. “The Cooked and the Raw.” New York Magazine, Sept. 1984.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 
Bibliography section article Bibliography Section Catalog Bibliography Section Web Link PDF icon small Sold Dot